This year’s Christmas TV schedules sparked a surprising wave of discontent. Social media erupted with complaints of “dreadful” and “utterly dire” offerings, a reaction that initially felt harsh – even dismissive of channels like ITV.
But the outrage prompted a question: how many of those critics actually tune in to traditional television anymore? It’s easy to condemn a schedule when your attention has already drifted elsewhere, perhaps to the ever-expanding universe of streaming services.
Netflix, in particular, has quietly become a dominant force in festive viewing. The platform’s initial Christmas Day offering of *Bridgerton* in 2020 drew hundreds of millions of viewers, a moment that signaled a shift in how we consume holiday entertainment.
Now, Netflix curates an entire month of accessible Christmas films, often delightfully cheesy and reliably popular. These films consistently climb the streaming charts, creating a parallel Christmas Day schedule for a massive audience.
Even a major game show like *The 1% Club* faces an uphill battle against streaming giants. The highly anticipated fifth season of *Stranger Things* will likely command far more attention, a testament to the power of established streaming franchises.
The competition intensified last year when Netflix boldly entered the realm of live sports. The inaugural Netflix x NFL Christmas Gameday drew over 30 million global viewers, bolstered by a halftime performance from Beyoncé – a staggering figure that redefined the platform’s reach.
This year’s offering doubles down on that success, with two live NFL games, a Kelly Clarkson performance, and a halftime show featuring Snoop Dogg. The Doggfather himself proclaimed it “holiday magic Santa can’t fit in a bag,” a sentiment that’s hard to ignore.
The freedom from rigid schedules – no longer needing to center the day around a specific Doctor Who special – is appealing. Yet, that flexibility often leads to a Boxing Day battle for the remote, a tradition stubbornly held by many families.
Netflix’s potential acquisition of Warner Bros. Discovery looms large, threatening to end the “streaming wars” with Netflix as the clear victor. Meanwhile, British channels grapple with declining viewership and fierce competition.
It’s unfair to blame broadcasters for adapting to changing habits. ITV, facing shrinking advertising revenue, can’t be expected to deliver a lineup of blockbuster programs without acknowledging the new realities of the entertainment landscape.
The festive schedule once held a central place in British culture. The 1988 Radio Times Christmas edition remains the best-selling magazine in British history, a testament to a time when television truly united families.
If we want to revitalize Christmas TV, we need to actively engage with what’s on offer. Abandoning linear television in favor of streaming will only accelerate its decline, leaving each year’s schedule feeling increasingly like a nostalgic relic.
There is a glimmer of hope. ITV is exploring a potential sale to Sky, a move that could reshape the UK’s television landscape. But with Netflix poised to absorb Warner Bros., saving British broadcasters – and the Christmas Day schedule we remember – may require a genuine miracle.