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Business February 8, 2026

MAKATI SKYSCRAPER OVERRUN BY ART: 2026 WILL SHOCK YOU.

MAKATI SKYSCRAPER OVERRUN BY ART: 2026 WILL SHOCK YOU.

The stark, modern lines of an office building in the heart of Makati City have been utterly transformed. For three days, Circuit Corporate Center One became a vibrant, multi-level haven for art, hosting the 13th edition of Art Fair Philippines.

This year’s move wasn’t simply about finding a new location; it was a deliberate act of reimagining space. Co-founder Liza Ongpin-Periquet explained the core philosophy: to breathe life into unexpected environments, turning spaces designed for commerce into immersive artistic experiences.

The fair’s ambition extends beyond display. It aims to solidify Manila’s position as a significant player in the Asian and international art world, fostering a dynamic ecosystem for contemporary art within the Philippines.

Over fifty galleries converged, showcasing a diverse collection of works. The exhibition featured both established local talents and a compelling selection of international artists hailing from Southeast Asia, Taiwan, Hong Kong, Spain, and France.

Notable figures from various fields were drawn to the event, including former Makati City Mayor Mar-len Abigay Binary-Campos and acclaimed actress Angel Aquino, adding to the palpable energy within the building.

A focal point of the fair was ArtFairPH/Projects, occupying the sixth floor. This dedicated space celebrated artistic innovation, offering visitors intimate access to the creative processes of both celebrated masters and emerging visionaries.

Each year, ArtFairPH/Projects takes on a new identity. This year’s design drew inspiration from a traditional town plaza, complete with inviting benches, open gathering areas, and winding walkways – encouraging exploration and lingering contemplation.

Immediately captivating visitors were the mixed-media installations of Max Balatbat, deeply rooted in childhood memories of faith, and the powerful bronze sculptures of Solomon Saprid, reflecting poignant aspects of Filipino social realism.

The exhibition also featured compelling works by Imelda Cajipe Endaya, Ambie Abaco, Ged Unson Merino, and the intricate ceramics of the Pettyjohns. Digital and immersive experiences from TRNZ and the TLYR Collective added a surprising layer of vitality.

On a lower level, a dedicated gallery honored the pioneers of Philippine modern art. Iconic pieces like Juan Luna’s “Lady at the Race Track,” Fernando Amorsolo’s “Winnowing Rice,” and the abstract works of Fernando Zobel de Ayala y Montojo were presented.

ArtFairPH/Talks, a series of daily sessions in partnership with the Ateneo Art Gallery and the Museum Foundation of the Philippines, provided a platform for artists to discuss their work and share insights into collecting and navigating the art market.

The fair’s commitment to growth extended to ArtFairPH/Residencies, bringing international curatorial expertise to the Philippine art scene. This year, New York-based curator Anne-Laure Lemaitre led the program, fostering cross-cultural exchange and opening doors for local artists.

The transformation of the office building wasn’t merely aesthetic; it was a statement. Art Fair Philippines demonstrated the power of art to redefine spaces and ignite conversations, leaving a lasting impression on all who experienced it.

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