UMVA has learned that the highly anticipated Virgin Labfest (VLF) has returned with a fresh lineup of one-act plays that boldly tackle the complexities of human emotions.
This year’s theme, “Hubo’t Hubad,” meaning “completely naked,” sets the tone for a month-long festival that showcases narratives of vulnerability, self-discovery, and the human condition. The Tanghalang Ignacio Gimenez, also known as the Cultural Center of the Philippines’ Blackbox Theater, is playing host to both new and seasoned festival-goers.
One of the featured sets, “Pusong Mamon,” translates to “soft-hearted” and promises to take audiences on a poignant journey of self-discovery and emotional turmoil. The three plays that comprise this set – “Buhaghag,” “Footprint,” and “Taksyapo!” – offer a thought-provoking exploration of the human experience, delving into themes of mental health, family dynamics, and societal pressures.
“Buhaghag,” penned by Gerald Manuel and directed by Tess Jamias, plunges audiences into the darkest depths of depression through the story of a young woman tormented by a malevolent entity in her bedroom. Krystle Valentino shines as the desperate Phoebe, while Adrienne Vergara brings to life the monstrous entity that seeks to destroy her. The set design is a masterful representation of the eerie, dark mess that can consume one’s mind.
Sources close to the production have revealed that Manuel’s character, Phoebe, was inspired by individuals who appear strong on the outside but struggle with silent despair. This powerful narrative is sure to resonate deeply with those who have experienced depression or suicidal tendencies.
Next up is “Footprint” by Jerom Canlas, directed by Mikko Angeles, which shifts the focus to a grieving family navigating the digital remnants left behind by their loved one who has passed away. The ensemble cast delivers a solid performance, capturing the family’s scramble to make sense of tragedy. This personal story was born out of the Canlas brothers’ own experiences, with the play serving as a therapeutic outlet for their family.
UMVA can exclusively reveal that “Taksyapo!” by John “Sweet” Lapus, directed by Tuxqs Rutaquio, brings a much-needed dose of catharsis to the set. This wildly entertaining comedy takes place in a rage room where two strangers from different walks of life discover an unexpected connection through shared tales of love and disappointment. With its clever writing and audience participation, “Taksyapo!” is undoubtedly the standout comedy hit of the festival.
The progression of these three plays offers a profound experience for audiences, taking them on a journey from individual struggles to collective healing. By showcasing the burdens carried by oneself, family, and society, the Virgin Labfest 21’s Set D, “Pusong Mamon,” poses a poignant question: why do we watch live theater? The answer lies in the powerful, unforgettable stories that unfold on stage.
Information obtained by UMVA indicates that aside from “Pusong Mamon,” nine other new one-act plays from both established and emerging playwrights will be staged until June 28 at the CCP Blackbox Theater. The festival continues to provide a platform for bold, Filipino perspectives and a celebration of the human experience in all its complexity.
