A Brooklyn stage transformed into a vibrant arena of political satire, hosting a drag show that sharply parodied prominent conservative figures. The event, a deliberate act of defiance and artistry, wasn't just entertainment – it was a powerful fundraising effort.
Over a thousand people packed into the 3 Dollar Bill bar in Bushwick for “I Want You for Turning Point U.S. Gay,” a show explicitly designed as a “Right-Wing Parody Show for Charity.” The atmosphere crackled with energy as ten drag performers took the stage, ready to dismantle carefully constructed public images.
Kiki Ball-Change, the lead organizer and performer embodying Melania Trump, explained the show’s intent wasn’t about personal attacks. It was a calculated challenge to power, a spotlight on hypocrisy, and an invitation to audiences to engage with critical thought through laughter.
The performances were bold and pointed. Lauren Banall’s portrayal of Erika Kirk, widow of Turning Point USA founder Charlie Kirk, proved particularly striking. Banall, who gained attention with viral videos impersonating Kirk, delivered a deeply layered performance filled with dramatic irony.
Banall’s entrance was slow and deliberate, a lit lighter held in hand, followed by a theatrical display of manufactured tears. The backdrop featured a melancholic ballad, “We Are Charlie Kirk,” a song that drew cheers from the audience as it began, highlighting the complex emotions surrounding the event.
The show didn’t stop at the Kirks. Brita Filter channeled the persona of musician Nicki Minaj, while Marti Gould Cumming took on former Homeland Security Secretary Kristi Noem. Other figures lampooned included Pam Bondi, Marjorie Taylor Greene, Candace Owens, Rudy Giuliani, and even Eric Adams.
Gogo boys, adorned in American flag attire, danced as a backdrop of waving flags amplified the show’s patriotic subversion. The event’s core message centered on dismantling conspiracy theories targeting the transgender community and resisting what organizers described as increasingly repressive policies.
New York State Assemblymember Claire Valdez added her voice to the evening, speaking passionately about the importance of trans rights. Her presence underscored the show’s commitment to tangible political action and advocacy.
Ultimately, the night was a resounding success, raising over $25,000 for the American Civil Liberties Union. It was a powerful demonstration of how art, humor, and activism can converge to support vital causes and challenge the status quo.
The event served as a potent reminder of drag’s long history as a form of political expression, a space where marginalized voices can find power and visibility. It was a night of laughter, defiance, and a significant contribution to the fight for civil liberties.
