A staggering sum – potentially billions – lost to alleged corruption in flood control projects could have revitalized the Philippine film industry, offering a lifeline to its often-struggling workforce. Film Workers Against Corruption (FWAC) highlighted this stark contrast, arguing that diverted funds represent a missed opportunity to uplift an industry built on dedication and talent.
“Filipino filmmakers are workers, just like anyone else – overworked and underpaid,” explained JL T. Burgos, Chairperson of Surian ng Sining. He emphasized that corruption concentrates wealth in the hands of a few, while increased investment in arts and culture would directly benefit those working tirelessly behind the scenes.
Independent filmmakers, in particular, rely heavily on government grants, lacking the substantial financial backing enjoyed by larger media companies. Increased funding would translate to fairer wages and improved working conditions for below-the-line workers – the often-unseen individuals crucial to bringing stories to life.
The current national budget allocates P1.8 billion to cultural agencies, a figure that pales in comparison to the alleged P100 billion siphoned through corruption. Filmmaker Joanne Marian B. Cesario pointed to this disparity, visualizing the lost funds as “suitcases full of money” while the cultural sector struggles for resources.
The alleged anomalies, reportedly included in the 2025 national budget and approved by President Ferdinand R. Marcos Jr., have ignited calls for accountability. FWAC demands that all involved, including the President if evidence warrants, be held responsible, alongside investigations into other alleged misuse of funds, such as those involving Vice President Sarah Jane I. Duterte.
Burgos framed the situation as a confrontation with “two faces of corruption,” implicating both the Marcos and Duterte administrations. He asserted that stealing from flood control funds is no different than misappropriating confidential funds – both represent a betrayal of public trust.
Beyond demanding accountability, the alliance is advocating for stricter enforcement of the “Eddie Garcia Law,” designed to protect the welfare of film workers. This includes ensuring proper work hours, fair wages, benefits, and regularization, with standardized salaries for below-the-line positions clearly defined.
The law already mandates employers provide clear contracts detailing work conditions and compensation in a language understood by all parties, alongside wage-related benefits, overtime pay, and social security. However, FWAC believes consistent and rigorous implementation is essential.
Adding to the industry’s financial burdens is the 30 percent amusement tax on movie and television ticket sales. The group argues this high rate further strains an already struggling sector, especially given limited government funding and alleged corruption. A reduction in this tax could provide much-needed relief.
FWAC will join the “Baha sa Luneta 2.0” anti-corruption rally on November 30th, uniting with others to demand transparency and accountability from the government. Their message is clear: the creative industry deserves better, and the public deserves to know where their money is going.
