Stephanie Syjuco’s powerful exhibition, *Inherent Vice*, has found a new home at the Ayala Museum. The show, born from five years of meticulous research, delves into the complex history of the Philippines through the lens of American representation during the occupation. Syjuco doesn’t shy away from the raw materiality of the past, presenting unedited documentary photographs in evocative, thematic piles – complete with the marks of those who handled them decades ago.
Imagine sifting through the echoes of history, seeing the handwritten notes of journalists and archivists alongside the images they preserved. *Inherent Vice* offers a unique glimpse into the lives of those who shaped the narrative, featuring photographs from the archives of the defunct *Manila Chronicle* and the Filipinas Heritage Library. The exhibit remains on display until February 26th, offering a profound and unsettling encounter with a pivotal period.
A new voice is rising in Manila’s vibrant theater scene. The Manila Society of Theater Reviewers (MSTR) has formally launched, uniting seasoned critics dedicated to fostering deeper public conversation about the performing arts. This collective aims to elevate the discourse surrounding theater, championing reviews that provide insightful context and perspective.
MSTR isn’t just about critique; it’s about building a community. The group has established a central online hub, mstrawards.com, to share member information, updates, and published work. They envision a future where thoughtful discussion drives the evolution of Manila’s theatrical landscape.
The highly anticipated production of *A Chorus Line* is taking shape, and the cast is now complete. Theatre Group Asia (TGA) embarked on a six-month, nationwide search, spanning cities from New York to Davao, to assemble a company worthy of this Broadway classic. Led by Emmy Award-winner Karla Puno Garcia, the production promises a spectacular showcase of talent.
Joining Tony and Grammy Award nominee Conrad Ricamora and Broadway star Lissa de Guzman are a diverse ensemble of performers, each bringing unique skills and passion to the stage. This cast represents the best of Filipino artistry, poised to deliver a breathtaking rendition of this iconic musical.
The Philippines’ maritime heritage is about to be celebrated in a groundbreaking new museum. Mitsui O.S.K. Lines, Ltd. (MOL) has become a gold donor to the Museo del Galeón, a first-of-its-kind immersive experience in Pasay City. This museum will honor the nation’s enduring connection to the sea and the legacy of Filipino seafarers.
Set to open in 2026, the Museo del Galeón will span 9,000 square meters and feature a full-scale replica of a 17th-century galleon, allowing visitors to step back in time and explore the rich history of the Manila-Acapulco trade route. It’s a testament to the Philippines’ pivotal role in global maritime commerce.
The beloved *Ang Babae Sa Septic Tank* franchise is making a bold leap to the stage. The Philippine Educational Theater Association (PETA) will present a live theatrical installment of this iconic story, running from June 19 to August 16, 2026, at the PETA Theater Center. Prepare for a chaotic and hilariously sharp-witted exploration of the Philippine theater world.
Eugene Domingo returns to reprise her role, joined by a cast of characters who are, essentially, themselves. This production promises to pull back the curtain and expose the ego, ambition, and sheer absurdity that fuels the industry, offering audiences an unforgettable behind-the-scenes experience.
Susan Claire Agbayani’s meticulous work has been recognized with a special citation from the 25th Madrigal Gonzalez First Book Awards. Her book, *Tugtugan Pamorningan: The Philippine Music Scene (1990-1999)*, is lauded for its insightful documentation of a transformative era in Philippine music.
Agbayani’s book isn’t just music journalism; it’s an act of cultural preservation. It captures the energy and innovation of the 1990s, tracing the convergence of alternative rock, OPM, jazz, and indie movements, and demonstrating how sound can shape identity and memory.
Areté’s second season of original theatrical productions, “Pumpon ng Rosas,” promises a compelling lineup of stories. Following the success of their debut season, Areté has unveiled a trio of productions slated for 2026-2027, each tackling complex themes with artistic vision.
From a play exploring the struggles of a family during Martial Law (*Subversive Lives*) to a vibrant adaptation of the opera *Carmen* and a reimagining of Jose Rizal’s *El Filibusterismo* (*Fili*), Areté’s sophomore season is poised to challenge and inspire audiences.
The De La Salle-College of Saint Benilde (DLS-CSB) is empowering authors and content creators with the launch of Benilde Romançon Press, its official publishing arm. Accredited by the Intellectual Property Office of the Philippines, this initiative will provide a platform for original creative works and research.
Benilde Romançon Press will offer avenues for publishing fiction, scholarly work, and innovative ideas, fostering a vibrant community of writers and thinkers. Through an annual IP and Publishing Workshop and a rigorous blind review process, the press is committed to supporting and recognizing exceptional talent.
