The Manila Hotel buzzed with anticipation on December 15th, the site of the 38th Aliw Awards. But beneath the glittering surface of celebration, a shadow of disappointment was growing, particularly for one of the evening’s most honored guests.
Jeproks: The Musical, a vibrant tribute to Pinoy rock icon Mike Hanopol, dominated the awards, claiming seven accolades including Best Musical. The production, brought to life by the creative team of Frannie Zamora, Nicholas Pitchay, and Jed Balsamo, resonated deeply with audiences and critics alike.
Tanghalang Pilipino’sKisapmataalso shone brightly, securing five awards, including Best Play. Guelan Luarca’s adaptation of the classic film proved a powerful and compelling theatrical experience, captivating viewers with its dramatic storytelling.
The evening also recognized a constellation of Philippine entertainment legends with Lifetime Achievement Awards. Among those celebrated were Gary Valenciano, Lani Misalucha, Jed Madela, composer Arturo Lui Pio, tenor Frankie Asiniero, and House Speaker Faustino “Bojie” Dy. These individuals have collectively shaped decades of Philippine performance.
However, the joy surrounding Zsa Zsa Padilla’s recognition was quickly overshadowed. The beloved singer, honored with a Lifetime Achievement Award, expressed profound disappointment after being denied the opportunity to deliver an acceptance speech during the ceremony itself.
In a heartfelt social media post, Padilla revealed her shock and embarrassment. “To be dismissed so abruptly after supposedly being ‘honored’ was shocking and embarrassing,” she wrote. She questioned the purpose of the event if those being celebrated weren’t given a platform to express their gratitude.
Padilla was eventually given a chance to speak, but only during a post-ceremony interview with a vlogger. The delayed acknowledgment felt hollow, leaving her feeling “dumbfounded” and on the verge of tears. Her plea to the Aliw Awards was direct: “Honor people properly.”
As of now, the Aliw Awards Foundation, Inc., established in 1976 to champion Philippine live entertainment, has not issued a public response to Padilla’s concerns. The silence amplifies the questions surrounding the handling of the prestigious event.
Beyond the controversy, the Aliw Awards celebrated a diverse range of talent. Jona was named Entertainer of the Year, while young performers Theodore Tiu and Natalie Grace, including Zia Dantes, were recognized as Best Child Performers.
Ana Feleo and Ronan Ferrer were lauded as Best Classical Performers, and Jona also claimed the title of Best Pop Artist. Andrew E. and Gloc-9 shared the honor of Best Rap Artist, showcasing the breadth of musical styles thriving in the Philippines.
Regine Velasquez’s “Reset” concert was named Best Major Concert (Female), while Maki and Raymond Lauchengco’s collaborative performances earned them the Best Major Concert (Male) award. Martin Nievera and Pops Fernandez’s enduring partnership was celebrated with the Best Collaboration in a Major Concert award.
The awards also extended to the realm of comedy, with Super Tekla taking home the title of Best Stand-Up Comedian, and VVink recognized as Best New Group Artist. Simone Valderrama Martinez emerged as Best New Female Artist, signaling a promising future for emerging talent.
From instrumental virtuosity, recognized in Mary Ann Espina, to the vibrant energy of cultural performances like the Mammangi Festival in Ilagan, Isabela, the Aliw Awards sought to encompass the full spectrum of Philippine entertainment. The awards highlighted the dedication and artistry that continue to enrich the nation’s cultural landscape.
The full list of winners included accolades for hotel performers, choral groups, dance productions, and even festival organizers, demonstrating the Aliw Awards’ commitment to recognizing excellence across all facets of live entertainment.
