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Business December 28, 2025

MANILA FILM FESTIVAL: EXPOSED! Is This All Just GLITTER?

MANILA FILM FESTIVAL: EXPOSED! Is This All Just GLITTER?

The latest installment ofShake, Rattle & Rolldoesn’t reinvent the wheel, but it delivers on the franchise’s promise: a potent mix of chills and thrills, punctuated by moments that genuinely startle. While the final act falters, the initial stories offer a compelling reason why this series remains a beloved tradition during the holiday season.

“1775” immediately establishes a captivating atmosphere. Beautifully shot and meticulously designed, the segment transports viewers to a Spanish colonial convent, anchored by a stellar cast including Carla Abellana, Janice de Belen, Ysabel Ortega, and Ashley Ortega. The arrival of a mysterious chest from Mexico sets in motion a series of unsettling events, hinting at a darkness lurking beneath the surface of religious devotion.

Within the convent walls, a palpable tension builds. Abellana’s character is confined, haunted by visions, while de Belen’s stern Mother Superior maintains a chilling control. The chest itself becomes a focal point of temptation, subtly influencing the nuns and unraveling their faith. The segment’s strength lies in its gothic aesthetic and the actresses’ nuanced performances, even if it occasionally relies on predictable scares.

“2025” shifts gears dramatically, appealing to a younger audience with a vibrant, modern slasher aesthetic. Set at a pulsating rave, the segment is a visual and auditory feast. The cinematography is slick and energetic, mirroring the rhythm of the music, and the choreography of the violence is surprisingly artful. It’s a hypnotic experience, even amidst the gore.

The final segment, “2050,” attempts to tie the narrative threads together, presenting a bleak vision of a post-apocalyptic Philippines. While the production values remain high, the plot feels rushed and ultimately unsatisfying. The entity unleashed from the chest has seemingly conquered the nation, leaving a desolate landscape and a desperate band of survivors.

Unfortunately, the film’s antagonist in “2050” feels disappointingly generic, a pale imitation of more iconic villains. The segment’s fast-paced, first-person perspective, reminiscent of a video game, further detracts from the overall impact. It’s a letdown after the thoughtful themes explored in the earlier stories.

The true brilliance ofShake, Rattle & Rolllies in the interconnectedness of the first two segments. The chest, a symbol of colonial influence and unchecked power, subtly corrupts and thrives in different eras. In “1775,” it arrives with colonialism, taking root within the church. In “2025,” it’s embraced by a privileged few, flourishing in a world of excess. This underlying commentary on societal ills elevates the film beyond simple scares.

Ultimately,Shake, Rattle & Rolloffers a worthwhile experience for horror fans. The first two segments are genuinely compelling, showcasing strong performances and striking visuals. While the final act doesn’t quite live up to the promise, the film as a whole provides a satisfying dose of frights and a visual spectacle.

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