For the members of Dilaw, a Filipino band whose debut album *RARARA* first resonated with listeners online, a tangible form of their music felt essential. The physical CD edition, now available at Backspacer Records, represents more than just songs; it’s the culmination of a long-held dream.
Guitarist Vie Dela Rosa described the significance of a physical release, recalling the dedication involved – the purchase of a CD player, the anticipation of unwrapping, and the joy of seeing the band’s image within. It’s a commitment, a ritual lost in the fleeting nature of digital streaming.
In an age dominated by algorithms and endless scrolling, guitarist Leon Altomonte believes a physical album fosters a deeper connection to the art. It’s a deliberate choice, an active pursuit of music that demands engagement and cultivates a more meaningful relationship with the artist’s work.
Drummer Tobi Samson views the CD release as a poignant “full-circle moment,” echoing cherished memories of his father’s cassette collection. He remembers the stories woven around each song, the personal history embedded within the music – a legacy he now hopes to create with *RARARA*.
*RARARA* itself is a musical journey, a 10-track exploration of uncertainty, heartbreak, and self-discovery, all set against the backdrop of the band’s beloved hometown, Baguio City. The CD edition includes a lyric booklet, offering a deeper dive into the artwork and narrative of their travels.
Fan favorites like the laidback “SEYP” and the hopeful “RARARA” are joined by standout tracks, including “BLACK N’ WHITE,” described by Samson as “silky” and “smooth.” The album opener, “ALL IN,” penned by Dela Rosa and Leonard Obrero, captures a dynamic conversation between boldness and caution.
The band emphasizes authenticity in their songwriting, choosing to express genuine emotions. This commitment to honesty resonates with their growing fanbase, who have shown unwavering support through pre-orders and enthusiastic attendance at live performances.
Dilaw’s connection is forged on stage, a dynamic energy they strived to translate into the album’s recording. They view their success not as individual achievement, but as a privilege – a chance to share their music and witness fans singing along.
They humbly acknowledge their role as representatives of the vibrant Baguio music scene, emphasizing that the city’s unique sound is a collective creation. Dilaw is simply honored to contribute a piece of that culture, a slice of their world offered to those who listen.
The band finds motivation in the dedication of their fans, the ones who seek out their music at events and embrace the energy of their live shows. It’s a reciprocal relationship, fueled by shared passion and a genuine connection through sound.
