A captivating extension has been granted to the Ayala Museum’s exhibit, “Mezcla: Interwoven Cultures and the Mantón de Manila.” Originally slated to close in February, the exhibit—celebrating the exquisite shawl’s journey from Chinese silk to Spanish elegance—will now remain open until June 14th, due to overwhelming public interest. Alongside this, visitors can continue to explore “Proto Saeta: Exploring Abstract Language,” tracing Fernando Zobel’s artistic evolution, also extended until June 14th.
Imagine stepping inside the Ayala Museum and not just observing art, but truly *understanding* it. On select dates in March – the 4th, 11th, 18th, and 25th – a unique opportunity awaits. From 11 a.m. to 3 p.m., you can engage in direct conversation with Stephen Bonadies, a volunteer conservator, gaining invaluable insight into the delicate process of preserving cultural treasures. It’s a rare chance to witness the unseen work that keeps history alive.
Across the globe, in the ancient city of Kyoto, Japan, artist Mylene Quito is currently immersed in a deeply personal exhibition. “Yugen (The Surge of Being),” running until March 8th at GALLERY Kokowan, isn’t simply a display of paintings; it’s a visual exploration of resilience. Inspired by the relentless energy of the ocean, Quito’s work embodies the power of adaptation and finding beauty even amidst life’s most turbulent waves.
The boundaries of sculpture are about to be challenged. On March 11th, the MCAD Public Lecture Series welcomes Michelle Lopez, a visionary artist known for redefining the relationship between sculpture and space. Her talk, held at the MCAD Multimedia Room in Manila, promises a captivating glimpse into her contemporary practice and a chance to directly engage with a groundbreaking creative mind.
A new voice in poetry has emerged. The Ateneo University Press, through its Bughaw imprint, proudly presents “the end comes on without a gasp,” the debut collection by Trish Shishikura. This isn’t merely a book of poems; it’s a decade-long exploration of grief, displacement, and the power of language to transform loss into something shared and enduring, weaving together experiences from the Philippines and Japan.
Prepare to be swept away by the passion and drama of the operatic stage. The Philippine Philharmonic Orchestra’s 7th concert of the season, “Opera,” on March 13th, will feature the breathtaking vocals of soprano Katerina Mina. Under the direction of Grzegorz Nowak, the performance promises an unforgettable evening of iconic arias at the Metropolitan Theater in Manila.
The stage is set for a powerful exploration of female resilience. This month, the Spanish theater group La Vidriera will present “Lorquianas,” a production intertwining the stories of women facing oppression. Performed at the Cultural Center of the Philippines, the play draws from the works of Federico García Lorca, a playwright renowned for challenging societal norms and giving voice to the marginalized.
Step into the world of a legend. The Philippine Opera Company will present Terrence McNally’s “Master Class,” a captivating play centered around the iconic opera singer Maria Callas. Starring Menchu Lauchengco-Yulo as Callas, the production, opening May 15th, promises a revealing glimpse into the life and artistry of a true icon.
Brace yourself for theatrical mayhem. PETA has unveiled the cast for “Ang Babae Sa Septic Tank 4: Oh Sh*t! It’s Live Sa Cheter!,” promising a hilarious and unapologetic return to the beloved character brought to life by Eugene Domingo. Running from June 19th to August 16th, this production is poised to be a whirlwind of creative clashes and theatrical excess.
