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Entertainment May 1, 2026

MERYL STREEP JUST DESTROYED the Met Gala—You Won't BELIEVE Why!

MERYL STREEP JUST DESTROYED the Met Gala—You Won't BELIEVE Why!

Meryl Streep, the actress who flawlessly embodied the icy power of a fashion editor in *The Devil Wears Prada*, has consistently avoided the Met Gala – and the reason is surprisingly revealing.

For an event synonymous with glamour and influence, attracting stars like Rihanna and Taylor Swift, Streep’s absence is a long-standing curiosity. It’s a puzzle considering her iconic portrayal of Miranda Priestly, a character seemingly built for the Gala’s glittering world, even mirroring the real-life presence of *Vogue’s* Anna Wintour.

But according to those close to the actress, the Gala simply isn’t “her scene.” It’s a matter of personal preference, a quiet rejection of an event that, despite its artistic veneer, doesn’t align with her sensibilities.

Meryl Streep poses for photographers upon arrival at the premiere of the film 'The Devil Wears Prada 2' on Wednesday, April 22, 2026, in London. (Photo by Scott A Garfitt/Invision/AP)

This year’s Gala, centered around the theme of “Costume Art” and showcasing garments in dialogue with 5,000 years of art history, promised a spectacle. Beyoncé’s return after a decade, alongside co-chairs Nicole Kidman and Venus Williams, added to the anticipation.

However, even the potential for promotional synergy – with the release of *The Devil Wears Prada 2* coinciding with the event – wasn’t enough to entice Streep. A representative confirmed she’s been invited for years, but has always declined.

The story takes a sharper turn with reports suggesting Streep was specifically asked to *co-chair* this year’s Gala, a prestigious honor she also refused. The reason? A growing controversy surrounding the event’s new financial backers: Jeff Bezos and his wife, Lauren Sanchez.

This image released by 20th Century Studios shows Meryl Streep in a scene from "The Devil Wears Prada 2." (Macall Polay/20th Century Studios via AP)

Bezos and Sanchez are serving as honorary co-chairs and major sponsors, a departure from the Gala’s traditional reliance on luxury brands. This shift has sparked backlash and even calls for a boycott, raising questions about the event’s evolving identity.

Insiders describe a palpable discomfort within the fashion industry, traditionally aligned with liberal values. Wintour and *Vogue* have consistently endorsed Democratic candidates, and the Gala has often been a platform for progressive statements.

The presence of Bezos, worth an astonishing $259 billion, feels particularly jarring to many. His alignment with conservative political figures and policies clashes sharply with the Gala’s historically progressive leanings.

Anna Wintour, left, and Anne Hathaway present the award for best costume design during the Oscars on Sunday, March 15, 2026, at the Dolby Theatre in Los Angeles. (AP Photo/Chris Pizzello)

The situation echoes past moments of political expression at the Gala. Alexandria Ocasio-Cortez’s 2021 “TAX THE RICH” gown and Carolyn Maloney’s advocacy for the Equal Rights Amendment demonstrated the event’s potential for social commentary.

But having Bezos and Sanchez as the faces of the Gala feels like a betrayal to some, a stark contrast to the values many within the industry hold dear. It’s a display of wealth that feels particularly tone-deaf in a world grappling with conflict and economic hardship.

Streep, known for her own politically charged stances throughout her career – supporting Hillary Clinton, identifying as a “man-eating feminist,” and defending Jimmy Kimmel – appears unwilling to lend her name to an event she fundamentally disagrees with. Her silence speaks volumes.

K49237LL Mandatory Credit: Photo by Globe Photos/ZUMA Press Wire/Shutterstock (16102177d) Aug. 06, 2006 - Fashion editor/maven Miranda Priestly (Meryl Streep) is unhappy with the latest designs.. .K49237LL.TV-FILM STILL. 2006. DEVIL WEARS PRADA - 06 Aug 2006

The internal drama surrounding the Gala is reportedly “rampant,” with many questioning the direction of an event that has long been a symbol of fashion and progressive ideals. The question now is whether this shift will fundamentally alter the Gala’s identity and its place within the cultural landscape.

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